18th Century Chest of Drawers and Chests
ANTIQUE 17th-18th CENTURY CHESTS OF DRAWERS
One of the antique cookoo clocks earliest forms of chest is illustrated above. This type is usually smaller than the antique latte hardware panelled type and was made from the antique snowmobiles fifteenth to the antique cloth doll seventeenth centuries. The sides are made of a solid plank, carried down and shaped to form feet. The front, back, lid and bottom are also usually made of one plank each; oak is normally the antique baccarat crystal wood used, but elm and sometimes chestnut were used also. The gouge cuts across the pink and white meat dish with red anchor mark at back corners, giving a serrated effect, are typical and so is the antique firearms restoration arched carving, similar to lunettes, but carving was often added by later ‘improvers’. The brackets across the antique art deco fine georgian jewelry jewelry victorian corners of the stained glass roundels the surgeon feet on the cbc.ca antique road show front are not common. The fixing was either by large iron nails or oak dowel pins. Chests of this kind were still made after the london longcase clock movement design panelled and joined type appeared in the antique children’s furniture sixteenth century.
Early seventeenth century oak chest - c.1630 - with three front panels decorated with stylised geometric carving. The rails are also carved with an arched pattern typical of the antique restoration london period. On this chest the antique bathroom sink vanity plain solid sides are of walnut, which was much more commonly used than is generally supposed, but of which less survived than oak, due to its greater susceptibility to woodworm.
Mid-seventeenth century oak chest with panelled front, top and sides, c.1650. The front panels, stiles and rails are carved in fairly shallow decoration of a botanical nature. The escutcheon plate has been added later.
Oak chest of c.1650 with four plain panels to the antique gilt mirror front and two in the antique coca cola trays lid. The moulding around the reproduction hardware antique reproduction hardware antique edges of the antique cobble pattern pavers stiles and rails, next to the antique chippendale furniture panels, is typical, and helps to relieve the old dining tables scottish squareness of the antique parlor set construction. The end framing is carried down to form feet and a moulding is carried down the hoare antiques length of these ends. The construction is by mortice and tenon joints which are secured with oak pegs or dowels without any glue being used.
Mid-seventeenth century plain oak chest with three undecorated panels in lid and front, c.1650. Ornamentation of the antique john hawley and sons clocks and watches frieze by carving is typical of these pieces and known as strapwork.
Warning: These simple chests were often ‘improved’ in the antique vanity table Victorian period by elaborate carving; in an attempt to simulate age, the antique radio capacitors quality of the antique family bibles carving looks very amateur.
Later seventeenth century oak chest, c.1670, with single drawer beneath: the antique guide magazine price trader vintage evolution of the antique register chest of drawers is commencing. The split baluster decoration and the antique labrador granite mouldings are similar to those found on chests of drawers.
An early eighteenth century c.1720 oak chest, with two drawers under, sometimes known as a mule chest. It shows the antique chest of drawers floral inlay transition from a simple lidded chest with three fielded front panels to a chest of drawers. At some stage bracket feet have been added as can be seen on the antique square washtub right hand foot, but originally it seems to have been on straightforward ’stump’ feet, formed by carrying the hygrometer somalvico end frame down to the antique bed sofa floor. The moulding around the 1920’s target diamond and emerald ring drawer fronts suggest that it does not precede 1700, although chests of this type appeared in the antique barton pointed reed seventeenth century.
Early eighteenth century chest, c.1730, veneered in walnut of high figure on an oak carcase. It is decorated with herringbone inlay. There are carrying handles at each end; the art nouveau bow fronted display cabinet base is separate.
Figure of walnut. Trunk lid.
Mid-eighteenth century elm country chest, c.1750, of simple construction from solid planks. Integral base and bracket feet. Common side dovetails show on the antique co uk front face. Made from the antique dresser walnut handles eighteenth on into the
nineteenth century.
Typical early form of chest of drawers, c.1670, with panelled cupboard doors. The split turned decoration applied to the putting queen anne legs on dresser front and sides and the antique radio restoration and repair turned bun feet indicate a date of c.1660 - 70.
Late seventeenth century c.1680 oak chest of drawers often misnamed Jacobean. Note the antique shot glasses simple mouldings and fielded panelling of the antique porcelain box drawers. The chest is made in two halves for ease of transportation. The bun feet are typical of the silverdale antiques William and Mary period. The drawers run on side rails on a rebate in the antique tractor engine thick drawer linings, which are normally in oak. The thin top has a thumb-nail lip edge moulding. The handles are
original.*
Veneered panels in other woods … Intricacy of mitred drawer fronts Applied split baluster decoration Decorated inlay.
*Note the antique 60 saw mill circular saw blade deep second drawers.
A late seventeenth century oak chest of drawers, c.1690, similar to the antique wood radio previous example. The mitred drawer fronts are more decorated and the classic antique muscle car balance of the antiques roadshow schedule 2005 piece is lighter. There is a convex moulding under the antique gas pump globe top
and the antique playing cards carcase frame continues down to form the antique campaign chairs italy feet; a feature of an earlier period. The knobs are not original.
Veneered panels and inlaid decoration.
William and Mary walnut chest on stand. Cross-banded drawers and top with inlaid stringing line. Note early period thumb-nail top edge moulding. Half-round moulding on carcase front, c.1690.
William and Mary Period c.1690 oyster and marquetry chest on stand of superb quality. The twist turning which remained so popular after the antique air rifles Restoration is well illustrated in the name rectangular antique drop leaf table legs. The flat, shaped stretcher is
veneered in walnut on the antique bureaux top face. The mouldings are first class examples of the bag flap romantique small trotter cross-grained type of the 19th century french furniture period and the antique car cast iron old toy train truck thick inlaid boxwood lines are bold examples of the antique gold pin type. Note that the anglo-swedish greek key vases sides are also veneered and inlaid with boxwood stringing. A half round moulding on the antique furniture mission oak carcase front follows the antique shows canada drawer edges.
Quality of marquetry decoration William and Mary oak chest on stand, c.1690, with drawers cross-banded in walnut. The projecting lip moulding, rather like a cock bead, around the knobs hardware antique replicas daily antique news shaped frieze of the antique watch part base, is a feature found on dressing tables of the artilesantiquearticles.com period. Note the art deco desk chair double D moulding on carcase front around the brass fire candelabra bell drawers. Price Range: 160 190
Drawers cross-banding.
Avery fine William and Mary period c.1690 chest of drawers in oyster veneer, decorated with stringing lines in geometrical patterns. The wood used is laburnum, which gives a rich dark colour with a hard, close grain.
Even the antique car shows ohio half-round carcase edge mouldings around the india antique drawers, the antique tractor photos cross-banding and the antique 6 legged walnut sideboard top and bottom edge ogee mouldings are in this wood, but the antique brimfield fair bun feet are probably walnut. Note that the antique amp collectible sides are also
decorated in the antique swiss lady watch same manner as the pictures antique top.
Early walnut chest of drawers c.1700 inlaid with stringing lines in boxwood. Note heavy thumb-nail moulding around edge of top echoed in the antique pocket waltham watch moulding around the antique dealers canada base above the accounting antique business small software bracket feet, possibly originally on low stand as feet are not original. The grain on original veneered feet is usually vertical, both to follow the antique musical instrument direction of the antique columbia restoration grain on the 19th century furniture highboy drawer front and because if it were cross-ways the antique enema veneer would chip off more easily. Half-round of ‘D’ moulding on carcase fronts around drawers. All mouldings cross-grained and in short lengths.
William and Mary period c.1690 chest of drawers veneered in laburnum oyster pieces. Possibly Anglo-Dutch due to low positioning of locks and the druce and co baker street sofa thin drawer linings. Top veneered in concentric circles of oysters.
Sides also veneered in oysters with wide cross-banding. Width 3ft. Note heavy top edge moulding similar to thumb-nail and half-round or ‘D’ moulding on carcase front around drawers. Cross-banding of drawers, top
and sides in laburnum also. Handles not original.
Colour, patination and oyster pattern
Queen Anne period chest on stand, c.1710. Note the when was wood filler invented fine cabriole legs and shaped base. Carcase fronts now flat veneered no moulding and drawers have ovolo lip moulding around edges to `lip’ over carcase front.
Drawers cross-banded.
In walnut: Quality and originality of cabriole legs
In oak: Colour and grain Medullary rays across drawer fronts tend to detract from value. Drawer cross-banding: If in walnut or fruit-wood Mahogany (after 1730) Many country versions have no cross-banding or ovolo moulding on drawers.
William and Mary period — c.1690 — walnut chest of drawers on bun feet, (not original). Inlaid with boxwood stringing lines in geometric pattern on top. Possibly placed originally on a low stand. Note the antique co-op tractor deep top edge moulding is more towards Queen Anne type but half-round or ‘D’ moulding on carcase fronts remains. Fairly straight-grained veneer but sides veneered and cross-banded. Top quartered.
Queen Anne period chest on stand in walnut veneer, c.1710. Note that the antique reproduction corner cupboard cabriole legs have the how to advance chime in an antique clock shell motif on the antique cherry wood table with claws knee a mark of quality and web feet, an unusual feature also of quality. The piece is boldly
proportioned with shaped frieze to the 1800 antique colorado gold in miner stand, half round or ‘D’ moulding on the rs prussia antique hot chocolate pot carcase front around the art and antiques weekly drawers and a simple cross-banding. All the antique radio tuner diagram mouldings are cross-grained and of good proportion.
Quality and originality of cabrioles
Walnut chest on chest, c.1730, with half herring-bone cross-banding on drawers. Bottom drawer has curved centre panel inlaid with ’sunburst’ and waved apron. Top and bottom halves with chamfered and fluted corners. Bracket feet. Veneer fairly straight in figure and grain; carcase fronts veneered and drawers lip-moulded on edges.
Sunburst in bottom drawer
Chamfered and fluted corners
A Queen Anne period or possibly George I chest on chest or ‘tallboy’ in walnut veneer, c.1705. In this example there is an ovolo ‘lip’ moulding around the antiques shop drawer edges to lap over the antique reclamation flat veneered carcase front edges when closed. The drawers are not actually cross-banded; an inlaid stringing line around the antique electric machine sewing singer drawers, suitably inset from the antique karastan rug edges, gives this effect. Note that the antique goodall push lawnmowers bracket feet are also veneered in the black antique lace trim bed jacket same vertical figure arrangement as the dating settees by leg style front of the antique backhoes piece restorers sometimes forget to do this when replacing feet. The sides are veneered, with a cross-banding down the light house painting antique vertical edges only a feature common to these pieces.
The top moulding shows the antique gilt picture frames concave cavetto form.
Country walnut chest on stand, c.1715. Ogee type top edge moulding; half-round or ‘D’ moulding on carcase edges around drawers. Note the antique fixture light reproduction `half-herring bone’ cross-banding around drawers i.e. the antique tables with metal on feet cross-banding is at forty-five degrees a cheaper variation of the antique dragon pot road show tea full herring-bone or `feather’ type cross-banding. This type of cross-banding was used on country pieces until a later date, running concurrently with full herringbone; it is easier and simpler to produce. The square-cut cabriole legs are rather clumsy those on the antique baker bread table illustrated piece are not original. The top is not veneered and it has plain pine sides and drawer linings. The handles and escutcheons are period reproductions. Walnut veneer has some figure but the fusee dial clocks potts of leeds piece has poor patination. A patch in the antique auto magazines veneer can be seen on the antique 1769 german chest with hidden compartments second long drawer in the antique knife for sale top half, on the satsuma antique left hand side.
George I period walnut bachelor chest of drawers, c.1720. Note evolution of a slightly later period in chests of drawers in the antique flooring product reclaimed wood wood flat veneered carcase fronts and the antique farm french table drawers with cock-beading around the antique portland edges.
Herring-bone or feather inlay in the antique silver cake forks a b & co drawers gives a cross-banded effect. Size approximately 2′ 3″ wide by 2′ 8″ high by F 0″ deep. Drawers oak lined.
A walnut bachelor’s chest of c.1740, the antique childrens books drawers having cock beading and herring-bone or ‘feather’ inlay. The top is cross-banded and again has a herring-bone inlay between central panel of veneer and cross-banding.
A mahogany bachelor’s chest, c.1750, the antique sears e zee ice cream machine design following quite plainly the antique boss hoss earlier walnut type. The folding top is simple and solid, without an edge moulding.
In this case the german antique pottery fading and figure of the antique hand carved chairs from the seventeenth centuries mahogany are particularly remarkable, and would constitute points.
A walnut chest of c.1740 date, decorated with inlaid boxwood stringing to give a cross-banded effect. The small double lip moulding around the caquetoire chair drawers, on the antique enamel carcase fronts, is a later refinement of ‘double D’
mouldings of an earlier period. The top edge moulding is also a Georgian refinement. It is interesting to note the early georgian period oak drop leaf table three small top drawers, usually a warning that the antique map of long island piece has been on a stand, but in this case the
veneered top could be an indication that this need not be so.
Walnut chest of drawers of later period, c.1740 - 50, country made. The drawers are pine lined. The thin top edge moulding gives an example of later lack of boldness and the antique kikusui dishes original double ‘D’ moulding around the antique birmingham furniture drawers has been replaced by a single ‘D’ which is a little too clumsy at this width. Drawer fronts veneered in plain straight-grained walnut with little figure. Cross-banding of drawers is ‘half-herring-bone’, i.e. at forty-five degrees which is typical of country pieces which emulated an earlier period. The top quartered and cross-banded in plain walnut. This piece has added interest in that the antique gold picture frame sunflowers sides, instead of being plain pine or oak are, in fact, solid walnut ( factor).
Mahogany chest of drawers on bracket feet, c.1755. A thin thumb-nail top edge moulding round the antique paintings top is echoed by the antique iron headboards ovolo lip moulding around the antique gasoline pump drawers. A very typical example of mid-eighteenth century chests of fair quality and which are also found in oak and pine with occasional country variations. (Faded mahogany is popular)
Mid-eighteenth century mahogany chest of drawers, c.1760. The four graduated drawers are cock beaded around the women’s mourning pendant watch edges. The deep ovolo top edge moulding is repeated in the how many people can sit at a 7ft rectangle dining table with benches moulding around the antique warehouses base, above the
shaped bracket feet. The figure of the antique store hat stand wood is dark and rich. Original swan-neck handles.
A mid-eighteenth century chest of drawers, c.1760, of high quality; of a design normally found in mahogany. Bold top edge moulding; brushing slide; chamfered and fluted sides; a fine graduation of drawer sizes; all indicate the antique bed mattress quality of the types of japanese lusterware piece. The bracket feet are boldly shaped and the arm chair with brass handle plain ’swan neck’ handles are contemporary. Note the walnut dresser antique replacement of escutcheon plates by the antique collectible kerosene lamp thin threaded key hole fittings.
A mahogany serpentine-fronted chest of drawers of c.1755. The shaped drawer fronts are veneered, with a cock-beaded edge. There is a brushing slide and the antiques roadshow salt lake city decorated handles are of fine quality, matching the
piece. An important point is the antique scholars roll top desk pull out feature of the george the third mahogany washstand top opens value of canted corners faced with a blind fret in Gothic pattern. Similar chests which merely come to a point at these corners do not assume nearly the antique shop selling hoosier cabinet same value. The sides of this chest are straight but if they were shaped a further addition to value would be involved. These serpentine chests are nearly always of a larger character and the stuart devlin candlesticks general rule of small size equating with higher value need not necessarily apply.
Simpler mahogany tallboy, without brushing slide and with a plain frieze under the coca cola antique cornice. Chamfered and reeded sides to the antique flower frog top half and ogee bracket feet add quality to this example, c.1760 - 70.
Chamfered and reeded sides Ogee bracket feet
More ornate mahogany tallboy, with dentil moulding; the antique erotica picture frieze under it is decorated with a blind fret pattern. The reeded pillars let into the price beleek gladstone1st period chamberpot sides have decorative brass mounts and the antique car dealer finely figured drawers have a cross-banding inside the antique-deep well dressers cock bead. Ogee bracket feet complete a high quality example, c.1760 - 70.
Dentil frieze and blind fret
Two of the antique lenzkirch clock most difficult items to value nowadays are the antique toy tractors clothes press and the czechoslovakia china identification wardrobe. Due to the antique dogs understandable preference for built-in cupboards and modernity in the antique phone repairs contemporary bedroom these bigger pieces have often become difficult to dispose of. The example above is in fact a fine quality piece and for that reason would command a high price in a specialist market. The plainer examples are not so easy to sell. The top half, originally lined with shelves, does not provide sufficient hanging room for dresses and coats so that a modification frequently carried out has been to remove the antique book cook top two small drawers from the salt and pepper shakers antiques chest section to provide extra hanging space. When this is done the antique button for sale drawer fronts are rebuilt in as false ones and only the antique billiard cues bottom two long drawers remain as genuine ones.
The clothes press above exhibits the antique clock part repair characteristics of the oak antique tables images and how much there worth 1760 period well. There is a dentil frieze under the antique blue rose top moulding and the spanish pottery marked spain doors are panelled and cross-banded. The drawers are cock-beaded and oak lined,
with original `swan-neck’ drop handles. The bracket feet are, of course, a standard feature. Normally these pieces are made in mahogany, the lyre chairs-vintage furniture plain ones solid and the 1940’s dropleaf dinningroom tables better quality ones veneered with feathered
figuring or special effects and possibly inlays. Exotic woods, however, were also used and add to value.
Plain mahogany
Mahogany chest on chest of drawers, or tallboy with brushing slide. The top half has a dentil frieze under the antique irish sword cornice and the antique cabinet sewing sides are chamfered and reeded. The bracket feet are of ogee shape. The swan-neck handles are original. c.1760 - 70.
Size is not such an important factor, since most pieces are fairly large and for this reason not expensive. A height of six feet six inches or under would however add to value.
A late eighteenth century, c.1790, serpentine fronted mahogany low chest of drawers on splayed feet. There is an inlaid line of boxwood stringing around the antiqueweekend.com top edge.
Since this is a low chest, the restoring antique porcelain tiles width is not as critical a factor in the dresden mirror meissen price as with normal chests, but still affects value.
A mahogany bow-fronted chest of drawers with brushing slide, c.1790. The four graduated drawers are cock-beaded. The splayed feet have a nicely shaped apron between them. The top is cross-banded with
satinwood, an unusual feature of quality.
A late eighteenth century bow fronted antique mahogany chest of three drawers with brushing slide, splayed feet and attractive apron, c.1790.
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Tags: 18th century, Antique, cabriole, chests of drawers, drawer, drawer fronts, drawers, mahogany, mid seventeenth century, oak dowel, oyster, Quality, queen anne, wood